Whenever I read literature, I try to pair it with relevant music, which is either based on the literature or mentioned explicitly in it. If you have recommendations, please share them.
Book of Job
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- Orlande de Lassus, Lectiones Sacrae Novem, Ex Libris Hiob Excerptae (ca. 1582)
Homer, The Iliad
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- Jacques Offenbach, La belle Hélène
- Hector Berlioz, Les Troyens
Homer, The Odyssey
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- Claudio Monteverdi, Il ritorno d’Ulisse in patria (The Return of Ulysses to his Homeland)
Sophocles
Electra
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- Richard Strauss, Elektra
Oedipus Rex
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- Igor Stravinsky, Oedipus Rex
Euripides, The Bacchae
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- Jules Massenet, Bacchus
Virgil, The Aeneid
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- Henry Purcell, Dido and Aeneas
- Hector Berlioz, Les Troyens (The Trojans)
Ovid, Metamorphoses
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- Christoph Willibald Gluck, Orfeo ed Euridice (Orpheus and Eurydice)
- Franz Liszt, Orpheus
- Ludwig van Beethoven, Die Geschöpfe des Prometheus (The Creation of Prometheus)
Dante Alighieri, The Divine Comedy
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- Franz Liszt, A Symphony to Dante’s Divine Comedy (also known as Dante Symphony)
- Pyotr Ilyich Tchaikovsky, Francesca da Rimini
Sir Gawain and the Green Knight
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- Henry Purcell, King Arthur
- The Hilliard Ensemble, Medieval English Music: Masters of the 14th and 15 Centuries (Harmonia Mundi)
William Shakespeare
Hamlet
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- Johannes Brahms, Ophelia Lieder
- Frédéric Chopin, Nocturne in G minor, Op. 15, No. 3
- Franz Liszt, Hamlet
- Pyotr Ilyich Tchaikovsky, Hamlet, Fantasy Overture in F Minor, Op. 67
- Dmitri Shostakovich, Hamlet Suite
- Dmitri Shostakovich, Song of Ophelia
- Hector Berlioz, Symphonie fantastique
- Hector Berlioz, Tristia
Julius Caesar
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- Robert Schumann, Julius Caesar Overture
King Lear
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- Claude Debussy, Le roi Lear
- Hector Berlioz, King Lear, Op. 4: Overture
Macbeth
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- Giuseppe Verdi, Macbeth
- Richard Strauss, Macbeth
The Merchant of Venice
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- Vaughan Williams, Serenade to Music (based on Act V, Scene 1)
- Gabriel Fauré, Shylock, Op. 57
A Midsummer Night’s Dream
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- Jakob Ludwig Felix Mendelssohn, A Midsummer Night’s Dream
- Benjamin Britten, A Midsummer Night’s Dream
Othello
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- Giuseppe Verdi, Otello
- Antonín Dvořák, Othello Overture
- Gioachino Rossini, Otello
Romeo & Juliet
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- Hector Berlioz, Roméo et Juliette
- Sergei Sergeyevich Prokofiev, Romeo and Juliet
- Pyotr Ilyich Tchaikovsky, Romeo and Juliet
The Tempest
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- Jean Sibelius, The Tempest (also known as Stormen)
- Ludwig van Beethoven, Piano Sonata No. 17 (Der Strum, meaning “the tempest” in German)
- Ludwig van Beethoven, Piano Sonata No. 23 (Appasionata, meaning “passionate” in Italian)
John Bunyan, The Pilgrim’s Progress
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- Vaughan Williams, The Pilgrim’s Progress
George Herbert, The Temple
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- Henry Purcell, Harmonia Sacra (includes “Longing” with the song title based on the first line of the poem, “With sick and famish’d eyes”)
- John and Charles Wesley, “Teach me, my God and King”
- Vaughan Williams, Five Mystical Songs (includes “Easter,” “I Got Me Flowers,” “Love Bade Me Welcome,” “The Call,” “Antiphon”)
John Milton, Paradise Lost
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- Joseph Haydn, The Creation (also based on Genesis and the Psalms)
Johann Wolfgang von Goethe, Faust
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- Franz Schubert, “Gretchen am Spinnrade”
- Robert Schumann, Scenes from Goethe’s Faust
- Hector Berlioz, La Damnation de Faust
- Franz Liszt, Faust Symphony
Herman Melville, Billy Budd
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- Benjamin Britten, Billy Budd
Friedrich Nietzsche, Thus Spoke Zarathustra
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- Richard Strauss, Also sprach Zarathustra
- Gustav Mahler, Third Symphony (includes “Zarathustra’s Roundelay”)
Thomas Hardy, The Return of the Native
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- Gustav Holst, Egdon Heath
Oscar Wilde, Salome
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- Richard Strauss, Salome
Leo Tolstoy, The Kreutzer Sonata
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- Ludwig van Beethoven, Kreutzer Sonata
Willa Cather, The Song of the Lark
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- Christoph Willibald Gluck, Orfeo ed Euridice
- Antonín Dvořák, Symphony No. 9 (also known as New World Symphony)
- Edvard Grieg, Tak for Dit Råd
- Richard Wagner, Das Rheingold
W. H. Auden, The Age of Anxiety
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- Leonard Bernstein, Symphony No. 2: The Age of Anxiety
Walker Percy, The Second Coming
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- Ludwig van Beethoven, Symphony No. 9 (suggested by Lewis Peckham)
- Franz Schubert, Quintet in A Major for Piano and Strings, “Trout Quintet” (listened to by Allie in Will Barrett’s Mercedes)
- Richard Strauss, Vier letzte Lieder, “Four Last Songs” (listened to by Will and Jack Curl at St. Mark’s Convalescent House)